Preface - This was written for a college class in '09. A simple compare-and-contrast paper.Moving this here for posterity.
In 1988, Tim Burton released the movie 'Batman' onto an unsuspecting public, and forever changed the face of the Batman series. With the subsequent sequel 'Batman Returns'¸ his dark, harrowing shooting style brought us a revised vision of that world with lead director
First, Batman would not be who he is without the money, skills, and psychological damage that shaped and defined Bruce Wayne. The first four movies moved through this plot line as a side point, unnecessary to the action and plot progression. The Nolan films plumbed the depths of Bruce Wayne’s psyche, explained not just that he was Batman, but why he is Batman. The stability of actors also dimmed the effectiveness of the personal trauma Bruce experienced in the pre-2000 films. Shifting between Michael Keaton, Val Kilmer, and lastly, George Clooney as Batman took away from the experience, and changed the element of delivery of emotion. With Christian Bale, current Batman, and director Nolan committed to take the series as far as DC Comics and Warner Brothers want to take the franchise, the consistency in vision and character presentation will make the gritty, realistic representation of Bruce Wayne and his broken alter ego a relevant portrayal for all time.
When Bruce Wayne slides into the
Batman’s suit was a point of contention when Batman and Robin came out. George Clooney is still embarrassed by that suit, which was less Bat-Suit and more stylized S&M gear. The suit was mostly leather, anatomically incorrect in all the wrong places, and had nipples. This was, and is, still a hilarious ode to just how ridiculous the costume design crew went with the outfits in the movie that nearly killed Batman forever. Contrast this against Batman Begins, where Bruce Wayne, digging through Wayne Enterprises’
Military Research facility, finds prototype body armor designed for use in military combat. The suit is designed for function and modified in the movie to support Batman in his urban endeavors. It has been argued in many tabloids, blogs, and other publications that this sequence was written into Batman Begins to help clear the palette of fans who were disturbed and saddened by the ridicule their beloved Dark Knight went through at the hands of Producer Schumacher and others.
In any story, there is no protagonist without an antagonist, seen or unseen. Jack Nicholson’s Joker was amazing for his time, a psychotic madman with a penchant for clown suits. His smile, presence, and sadistic goofiness made
All of these Batman villains pale to Nolan’s Rhaz Al-Gul and the unforgettable, tragic performance of Heath Ledger as a much darker, scarier, crazier and modestly hilarious revamp of The Joker. In the first of the reboot films, Batman Begins, a little known mentor-turned-villain from the Batman lore is introduced to audiences. Liam Neeson brought intensity to the role, giving Bale’s Batman a foil to operate against. The existence of Rhaz Al-Ghul explains the existence of Bruce Wayne’s abilities, and more so, the creation of Batman. Even more memorable than Neeson was The Scarecrow, a standard character in the Batman saga. With Nolan’s direction, CGI, and a well-written script, Scarecrow’s character was larger than life and exponentially darker and more disturbing than any of the villains before him.
Overshadowing all the villains in the Batman franchise that had come before him was Heath Ledger’s Joker. A character of limitless evil and sadism, it has been argued that Ledger’s Joker is the best villain of all times, not just the Batman series. Giving his last full measure to the art of acting, Ledger brought a squealing, variable tone to his voice and a haphazard lackadaisical mania to the Joker. His Joker was real, his Joker was insane, and his Joker had no campy misgivings to the matter. The Joker in The Dark Knight took a good Batman reboot, and made it amazing; magical even. Ledger posthumously won the Oscar for Best Supporting Actor in a genre that generally never wins Academy Awards for anything more than CGI or Audio work. This alone should be testament to amazing performance found in Ledger’s reinterpreted Joker.
From his original conception in 1939, Batman has been delivered in many forms: Comic books, television shows, movies, animated television shows, and video games. There have been many interpretations of Batman, his life, his world, and his enemies. There have been varying quality results of these interpretations. Clearly,
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